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    • February 26, 2010 1:41 AM CST
    • A version of this was published in The Santa Fe New Mexican February 26, 2010 Fred Cole, as he's told us himself, has "been screaming at the top of my lungs since 1965." That's from a song called "Poor Born" by Cole's lost lamented band Dead Moon, which broke up about four years ago after a roughly 20-year run that produced more than a dozen albums (mainly self-released on the band's own Tombstone Records label, though Sub Pop Records released a great double-disc retrospect compilation, Echoes of the Past, a few years ago). But don't spend too much time lamenting. Even though Dead Moon is gone, two-thirds of the band — Fred Cole and his bass player and wife of 40-plus years, Toody Cole — are back with another fine group, Pierced Arrows. The Arrows released an album called Straight to the Heart a couple of years ago on Tombstone. And now comes their sophomore effort — and it's no slump — Descending Shadows on Vice Records (also the home of The King Khan & BBQ Show, The Black Lips, and others among my recent favorites), which is a rocking triumph and a sweet jab in the eye to the idiotic notion that rock 'n' roll belongs exclusively to the young. Lollipops and witches: According to a recent online interview with Fred and Toody, as a mere teen in Las Vegas, in the mid-'60s, Fred played bass with Frank Sinatra Jr.'s band. Now that's paying dues. He also had a band called The Weeds. Some record-label munchkin thought that name was too close to The Seeds, so they renamed the group The Lollipop Shoppe. I've always believed this qualified Cole and company to be the best band with the crappiest name. Their intense, urgent-sounding hit "You Must Be a Witch", which can be found on the first Nuggets box set of '60s garage-band hits, brings a lot of images to a listener's head, none of which are of lollipops. After the Shoppe closed for business, Fred Cole persevered. He and the Mrs. opened a music store in the Portland area, raised a bunch of kids, and kept playing music. The birth of punk rock inspired a group called The Rats, which also featured Toody. And then, with drummer Andrew Loomis, came Dead Moon; its history is lovingly told in the documentary Unknown Passage: The Dead Moon Story (Netflix fans, you can find it there).

      In that group, Fred didn't stray far from "You Must Be a Witch" (a song Dead Moon was known to sometimes include in its sets). His ragged, at times falsetto voice and fuzzy guitar were still out front. Rooted in the Nuggets era and invigorated by psychedelia and punk rock, Dead Moon played a timeless style of rock, comparable to that of Cole's contemporary Roky Erickson. And now, Pierced Arrows: I'm not sure why Dead Moon broke up. But at least Mr. and Mrs. Cole are still together. The good news for Dead Moon fans is that the new trio sounds like a continuation of Moon's basic guitar/bass/drums sound. I suppose hard-core followers could argue over which drummer is better, Loomis or new guy Kelly Halliburton (no relation to Dick Cheney), but I don't see a major difference. The important thing is there was no cheesy attempt to update or "modernize" the sound. And Fred is still writing some memorable songs. "Buried Alive" is a grungy stomper (this is probably an obscure reference, but the arrangement reminds me of L7's "Diet Pill") telling a story of "sinister science." Fred sings of a nightmare future where bio-electronic implants are used to "improve" people.
      "My spirit's in a ditch, a machine's replacing me/They can make me even better than how I used to be," he sings. "It doesn't make mistakes, it doesn't get confused/It doesn't eat or drink or think or feel it's being used."
      In "Down to Earth," an emotional cruncher in which the guitar and drums remind me of some Crazy Horse tune, Toody sings of her mixed feelings about being a rock 'n' roll granny:
      "Once upon the stage nervousness and age hit me like a plague/I've told myself before/Can't do this anymore/It's hard to walk away/Guess it's in my blood, I still can't get enough enough/It's what I've come to love."
      My favorite here is "Paranoia," a snarling slow-burner given an almost playful bounce by Toody's bass. Fred sounds downright paranoid as he screeches about shadowy enemies coming after him. I'm also fond of "On the Move," especially when Fred and Toody do some call-and-response vocals, and it's hard to immediately tell who is who. It's refreshing to see a good example of rockers not becoming old softies after a few decades. But actually, it's missing the point to emphasize their age. Fred and Toody are clearly possessed of a spirit that's beyond the strangling hands of time. May they ever rock. Cool Pierced Arrows links: You can find five free and legal tracks from the Arrows' first album, Straight to the Heart, at the Free Music Archive. And while you're there, check out a live Dead Moon show on WFMU in 2001 at the archive. Meanwhile, the entire Descending Shadows album is streaming at piercedarrows.com and at Vice Records. And for that Fred and Toody interview I mentioned, go HERE. And, of course there's their MySpace page. Quality radio: I'll pierce your lollipop this week on Terrell's Sound World, freeform weirdo radio, in a little tribute to Fred Cole's career. That's 10 p.m. Sunday on KSFR-FM 101.1. It's streaming and screaming on the Web

    • February 25, 2010 3:57 PM CST
    • hello!


      i'm trying to buy some records but i can't find a online store that have everything i want... do nyou know a good one that ships overseas (i live in portugal) records from bands like

      THE JUNGLE ROCKERS
      THE FLAKES
      THE RATIONALS
      KNIGHTS OF THE NEW CRUSADE
      ...

      It seems impossible to find a single store with everything I need, and I don't feel like to order each record from a different store...

      any help out there?...

      thanks

    • February 25, 2010 7:18 PM CST
    • No video but if it's the Trashmen were good to go. I need to up The Trashmen at the Iowa Rock and Roll Hall of Fame-- my gal and dusted off our Chicken Strut before hand. Had the floor to ourselves! If you can't handle the Bird --best to sit down.

    • February 23, 2010 6:25 PM CST
    • hot rod song from my brother in law's band

    • February 25, 2010 5:07 PM CST
    • Any more of you out there blippin'?

    • February 25, 2010 3:05 PM CST
    • per your frequent ribbings, i've started uploading some stuff ; ) kopper said:

      Great idea, but please share your favorites in the Videos section!

    • February 23, 2010 3:20 PM CST
    • Great idea, but please share your favorites in the Videos section!

    • February 25, 2010 3:04 PM CST
    • Have you looked into automata? Just a little for me but if people like Pat Metheny can interact with electronic controlled analog instruments and say it goes far beyond his expectations then-----it might be a new area for years of new shit. Were not speed metal here but I've seen 350 BPM with total control. Type in over at the tube, I like that saxophone and percussion is a natural. Any guitar player want to describe those necks and what appears to be a movable nut. Picking at standard position and another at the top. HEY get this, I went to get the link for you and I had a message from the guy!!! I left a thumbs up and he asked if I had any requests...... He's our chance to garage-punk-Haze-a-bot.

    • February 25, 2010 1:52 PM CST
    • Damn, I've been trying to embed this Youtube for a few days but it's not working. So here's the link. http://www.youtube.com/watch?v=2ZFr2Fh66zs It's Jacques Brel singing "Amsterdam" (aka "The Port of Amsterdam") My favorite version actually was by Dave Van Ronk. It's working!

    • February 25, 2010 11:38 AM CST
    • to TIRC-

      laugh it up, buddy, but maybe i shoulda called the thread 'Is there anything I haven't heard yet?' just so bored folks like you participate in the thread and not ridicule it. hope you come up with something cool for us soon...

    • February 25, 2010 10:08 AM CST
    • If we haven't heard it, how would we know that we haven't heard it? How could we post here about it? Pretty hard to discover something that's undiscovered, knowwhatamsayin?

    • February 25, 2010 12:39 PM CST
    • ABSOLUTLY BRILLIANT ANSWER! Billy Childish - THE BEST!!!!! Sara said:

      In my humble opinion, the best thing to do is learn the 5-tone blues scale and listen to a lot of Billy Childish....

    • February 25, 2010 9:33 AM CST
    • That's how I feel about The Last in general. Wilbert Harrsion did a pretty sharp version of Louie Louie on the "Let's Get Together" LP on Sue. Rockin Rod Strychnine said:

      kopper said:
      I seem to recall this topic coming up once before... probably on the old GaragePunk Forums. Also, Black Flag's version of "Louie Louie" is one of my faves (the Last's and Kingsmen's versions are great, too), so I disagree that you'd only need the A-side of the comp. BTW, speaking of comps like this one, I have "Love That Louie - The Louie Louie Files" collection on Ace Records, and it's better:

      http://www.acerecords.co.uk/content.php?page_id=59&release=786

      I was gonna say....

      Also, I think you can get Black Flag's version on 7 inch vinyl. Don't know about the Last's version. It's OK.

    • February 24, 2010 2:18 AM CST
    • kopper said:

      I seem to recall this topic coming up once before... probably on the old GaragePunk Forums. Also, Black Flag's version of "Louie Louie" is one of my faves (the Last's and Kingsmen's versions are great, too), so I disagree that you'd only need the A-side of the comp. BTW, speaking of comps like this one, I have "Love That Louie - The Louie Louie Files" collection on Ace Records, and it's better:

      http://www.acerecords.co.uk/content.php?page_id=59&release=786
      I was gonna say.... Also, I think you can get Black Flag's version on 7 inch vinyl. Don't know about the Last's version. It's OK.

    • February 23, 2010 6:41 PM CST
    • Agreed about side B Kopper! Thanks for the link, that comp looks insane! I'll check it out. kopper said:

      I seem to recall this topic coming up once before... probably on the old GaragePunk Forums. Also, Black Flag's version of "Louie Louie" is one of my faves (the Last's and Kingsmen's versions are great, too), so I disagree that you'd only need the A-side of the comp. BTW, speaking of comps like this one, I have "Love That Louie - The Louie Louie Files" collection on Ace Records, and it's better:

      http://www.acerecords.co.uk/content.php?page_id=59&release=786

    • February 23, 2010 12:28 PM CST
    • I seem to recall this topic coming up once before... probably on the old GaragePunk Forums. Also, Black Flag's version of "Louie Louie" is one of my faves (the Last's and Kingsmen's versions are great, too), so I disagree that you'd only need the A-side of the comp. BTW, speaking of comps like this one, I have "Love That Louie - The Louie Louie Files" collection on Ace Records, and it's better: http://www.acerecords.co.uk/content.php?page_id=59&release=786

    • February 22, 2010 5:43 PM CST
    • You really only need Side A of this record.

    • February 22, 2010 3:54 PM CST
    • I'd like to be able to take credit for that, but I just googled some of the lyrics lol I think it's an error on the. pressing plant's part because I don't think Bitch even released an album on Rhino... so weird! Ken (Evil Empire Records) said:

      I don't know if it is or not... But I'm impressed you could recognize Bitch. I wouldn't be able to pick a Bitch song out of the crowd!

    • February 22, 2010 2:21 PM CST
    • I don't know if it is or not... But I'm impressed you could recognize Bitch. I wouldn't be able to pick a Bitch song out of the crowd!

    • February 23, 2010 8:15 PM CST
    • I got a used BOSS Blues Driver and a BD-2 mod kit form Monte Allum mods, and ended up with a real nice sounding fuzz type overdrive on the cheap. Modding the circuit board of a pedal requires a few tools and a little bit of electronics knowledge, but you can get a boutique quality pedal like the ones that cost hundreds for next to nothing.